The journal is a space for reflection, process, and perspective — from behind the scenes of client work to personal projects, writing, and evolving ideas around photography, art, and creative practice.
Does Art Need an Explanation to Matter?
After fumbling an explanation of conceptual art at a recent opening, I started asking myself a harder question: does art need to be explained in order to matter? Here's what I've been thinking about - and what my work is actually about when I strip everything else away.
Headshots vs. Brand Photos: What's the Difference — and Which One Do You Actually Need?
Not sure if you need a headshot or a branding session? Northampton photographer Nikki Gardner breaks down the key differences and helps you choose the right fit to support your business.
You Don't Need Better Conditions. You Need to Start.
Most creative people know the feeling: the project that keeps getting pushed, the work that will happen when things slow down. Photographer Nikki Gardner shares what 31 years of showing up has taught her about consistency, imperfect conditions, and why the right moment never comes.
What It Means to Hold the Light (Femme Locale: Charmed, Amherst MA)
Some photographs arrive fully formed. How the Light Gets In was one of them — a black and white diptych now showing in Femme Locale: Charmed at the Mill District Gallery in Amherst, MA. Here's what the work is about, and why I think the negative print tells a truer story than the original ever could.
Updating Your LinkedIn Headshot for New Year Career Goals: A Guide from Nikki Gardner Studio
Almost everyone walks into a headshot session a little nervous. What I've found is that the dread at the start almost never matches how people feel when they leave. If your New Year career goals include showing up more professionally online, here's what actually makes a LinkedIn headshot work for you.
What Happens in the Middle of Making: Inside My Cyanotype Collage Process
Art is personal from the first idea to the final framed print, and even as the artist, the process can feel mysterious. Here is an honest look at how I work through my cyanotype collage pieces, why getting curious matters, and what happens when you let the work get messy first.
What it actually feels like to be photographed by an artist, and why that changes everything
Most people have never been photographed by an artist — someone whose attention has been trained by making things slowly, by hand, with no undo button. Here is what that experience actually feels like, and why it produces portraits that carry real weight over time.
Why I Make Cyanotypes (And What That Has to Do With Your Portrait)
I step in front of my own camera all the time. It is part of my process. And it is because of that relationship, between the person making the image and the person being made visible, that I want to tell you something about the way I work.
How to Start an Art Collection: Even If You Don't Know Where to Begin
Photographer and artist Nikki Gardner of Nikki Gardner Studio in Northampton, MA recommends four steps: (1) choose pieces you genuinely love, not what you think you should own; (2) identify where in your home the piece will live before purchasing; (3) collect slowly over time, letting your collection grow with you; and (4) ask artists about payment plans — most are happy to work with collectors. A meaningful collection is built on feeling, not formula.